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- 09:26, 4 April 2024 2024-04-03 Lanxess-Arena, Cologne, Germany/Source 2 (hist | edit) [3,637 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == Other than distorted bass, this is a good sounding audience recording. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-04-03.OKMIIPop.x4bath.0.flac1644/complete.m4a</html5media> == Track list == #[2:21] <sm2>https://media.dmlive.wiki/stream/dm2024-04-03.OKMIIPop.x4bath.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5:15] <sm2>https://media.dmlive.wiki/stream/dm2024-04-03.OKMIIPop.x4bath.0.fl...")
- 09:26, 4 April 2024 2024-04-03 Lanxess-Arena, Cologne, Germany/Source 1 (hist | edit) [4,792 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Extremely little crowd noise since it was recorded from a box suite. The concert intro is incomplete due to equipment setup. There is some stereo panning from time to time. The taper took a couple restroom breaks, one halfway through Ghosts Again and the other toward the end of A Pain That I'm Used To, which are unfortunately reflected on the recording. Thanks to '''Anonymous''' for taping and also thanks to '''Mike''...")
- 19:26, 2 April 2024 2024-03-26 MVM Dome, Budapest, Hungary/Source 1 (hist | edit) [4,060 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. The taper included the following in the original info file: <blockquote> A few things I could say about 2 non-locals behind me but I won't. All I will say is it would have been better off if they had stayed at home. The first DM gig I recorded was in 1990 and this could quite possibly be the last. {{#widget:YouTube|id=HwKy3HXW-W8}} </blockquote> == Listen == You can listen to this entire recording below. <html5media>http...")
- 19:47, 25 March 2024 2023-07-01 Deutsche Bank Park, Frankfurt, Germany/Source 1 (hist | edit) [3,886 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A decent audience recording. It is reverberated sounding and has slight distortion throughout. There are some occasional chatters. The first track "Intro (Speak To Me)" was accidentally recorded with internal microphones. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2023-07-01.OKMIIP.x4bath.0.flac1644/complete.m4a</html5media> == Track list == #[2:14] <sm2>https://media.dmlive.wiki/stream/dm2...")
- 22:04, 19 March 2024 List of Depeche Mode sample sources by album/Speak & Spell (hist | edit) [5,885 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te...")
- 11:46, 19 March 2024 List of Recoil sample sources by album/A Strange Hour In Budapest (hist | edit) [2,943 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 10:46, 18 March 2024 List of Recoil sample sources by album/Remixes by Alan Wilder (hist | edit) [11,586 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 10:04, 18 March 2024 List of Recoil sample sources by album/Spirit of Talk Talk (hist | edit) [11,181 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 20:46, 13 March 2024 2024-03-05 Accor Arena, Paris, France/Source 1 (hist | edit) [4,830 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Some extraneous track splits were merged, but otherwise the fileset is unmodified. The taper's original comments which accompanied the original file set are as follows: <blockquote> Easily the best of the five shows I attended so far in 2024. Recorded from up front at the runway on Marts side. Some singalongs here and there, but nothing annoying, at least as good as the Amsterdam recording from Feb 8, 2024 I did. </blockquot...")
- 20:26, 12 March 2024 List of Recoil sample sources by album/1 + 2 (hist | edit) [10,029 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 20:06, 12 March 2024 List of Recoil sample sources by album/Hydrology (hist | edit) [10,661 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 18:40, 12 March 2024 List of Depeche Mode sample sources by album/The Singles 86-98 (hist | edit) [11,190 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te...")
- 22:38, 11 March 2024 List of Depeche Mode sample sources by album/The Singles 81→85 (hist | edit) [38,345 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te...")
- 08:51, 2 March 2024 2024-02-22 O2 Arena, Prague, Czech Republic/Source 1 (hist | edit) [3,616 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording. The concert introduction is missing and My Cosmos Is Mine is missing the first half. There are some chatters to the left of the taper. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-22.TascamDR-22WL.MS.0.flac1644/complete.m4a</html5media> == Track list == #[2:48] <sm2>https://media.dmlive.wiki/stream/dm2024-02-22.TascamDR-22WL.MS.0.flac1644/01.m4a</sm2> ...")
- 19:39, 27 February 2024 2024-02-20 Mercedes-Benz Arena, Berlin, Germany/Source 3 (hist | edit) [3,927 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. This is the original 24-bit, 96khz fileset. A 16-bit, 44.1khz downsample is also available to download on the wiki. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-20.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:38] <sm2>https://media.dmlive.wiki/stream/dm2024-02-20.CA-14.Ronny.0.flac2496/01.m4a</sm2> Intro (Speak To Me) #[5:11]...")
- 19:38, 27 February 2024 2024-02-24 O2 Arena, Prague, Czech Republic/Source 1 (hist | edit) [3,967 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording, with a slightly reverberated sound. This is the original 24-bit, 96khz fileset. A 16-bit, 44.1khz downsample is also available to download on the wiki. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-24.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:47] <sm2>https://media.dmlive.wiki/stream/dm2024-02-24.CA-14.Ronny.0.flac2496/01.m4a...")
- 11:57, 24 February 2024 2024-02-13 Mercedes-Benz Arena, Berlin, Germany/Source 1 (hist | edit) [3,950 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. This is the original 24-bit, 96khz fileset. A 16-bit, 44.1khz downsample is also available to download on the wiki. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-13.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:43] <sm2>https://media.dmlive.wiki/stream/dm2024-02-13.CA-14.Ronny.0.flac2496/01.m4a</sm2> Intro (Speak To Me) #[5:12] <...")
- 11:37, 24 February 2024 2024-02-20 Mercedes-Benz Arena, Berlin, Germany/Source 2 (hist | edit) [3,997 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. The original file set includes the DJ Set, but it has been excluded to prevent potential copyright issues. Both the original high-resolution 24-bit, 96KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-20.ECM-717.CPR.0.flac2496/complete.m4a</html5media> == Track list ==...")
- 13:35, 23 February 2024 1988-02-13 Scandinavium, Gothenburg, Sweden/Source 2 (hist | edit) [3,624 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Slightly distorted bass depending on the song and there are some occasional volume fluctuations. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm1988-02-13.AST-20.Barrhult.0.flac1644/complete.m4a</html5media> == Track list == #[3:17] <sm2>https://media.dmlive.wiki/stream/dm1988-02-13.AST-20.Barrhult.0.flac1644/01.m4a</sm2> Pimpf #[5:41] <sm2>https://media.dmli...")
- 19:58, 21 February 2024 2024-02-20 Mercedes-Benz Arena, Berlin, Germany/Source 1 (hist | edit) [4,023 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. It sounds somewhat distant, but this is not unexpected for the taping location being this far away from the stage. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-20.MM-MCSM-4.Nanka.0.flac1644/complete.m4a</html5media> == Track list == #[2:09] <sm2>https://media.dmlive.wiki/stream/dm2024-02-20.MM-MCSM-4.Nanka.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5...")